Roulette Zero Gewinn


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Roulette Zero Gewinn

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Roulette Zero Gewinn

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With Garvan, I got to watch movie after movie on his great large screen setup and caught up on some classics including Marathon Man.

I am embarrassed to admit that watching the opening credits of a movie sometimes has a deeper effect on my sleep pattern than any quantity of melatonin ever could and this would come back to haunt me.

I knew there would be some emotion for me when seeing Betty for the first time since. These two boys recharged my batteries as by now I was missing my own two boys and wishing they were somehow able to join me on part of this trip.

Meanwhile, I saw James in the room I had spent so much time in with Louis as he strummed the open strings of a guitar on a guitar stand.

I knew at that moment, he has the curiosity about the instrument and would be curious to see how that plays itself out.

I have no better way to state this than to say that I was amongst family! Betty called a cab for me and as I chatted with him he reminisced about his own experiences of Louis.

They had made plans to go together and these plans fell around the time Louis had gotten sick. I enjoyed my trip into City Centre with this down to earth Dub.

We parted with a handshake. This section could be called Bernard and the Steak and Kidney pies. You took the lid off and cooked them in the can they came in.

We argue over the oven conversion temperature and then watch through the glass as the puff pastry rises before our eyes.

I had decided to play two tunes Louis had written, for starters. Very moving for me was what happened when Honor Heffernan had just stepped off the stage I was about to step on.

Honor gave me a big hug and that great greeting she always has and then leaned in as she asked with full concern how my son Finn was.

Honor and I are both animal lovers and she had been so supportive and concerned at the illness, and subsequent passing of our beloved pet rabbit.

She asked me to pass a message to Finn which I did verbatim, and he was moved by this. My boys know the name Honor Heffernan as their daddy has often told them of her kindness t me when starting in the business.

An expression for a particularly inspired performance. Thank You Honor! I had the joy of dealing with a United desk clerk in Shannon a month earlier who delighted in charging for being slightly overweight in the baggage dept.

This time around I encountered a gentleman with an English accent who went out of his way to make sure my guitar got on board safe and made me feel I as being looked after.

This continued through to the flight attendants who made the flight such a joyful trip. I fell asleep for much of the flight but was beginning to feel like I was coming down with something and hoped that if I slept I could keep it bay until after the week at the Irish Arts Center.

John Daly had kindly driven me down to the hotel in Shannon Airport where I could avoid him having a sleep deprived day had he gottenup to drive me from his place to the airport.

What Jetlag! Or so I thought. As I began to relax Cassandra was texting me steering me towards rest which is ultimately what I ended up doing. Tomorrow would be another day.

Tues Nov 8th. Were You At The Rock? I arrive before noon and meet Liam and chat a little and Cassandra arrives just behind me and after we all chat for a bit, we head into the theater to get to work.

They share what they did the day before and it sounds amazing. Right off the bat I can see that Liam has a very wide palette to draw from him.

It sounds like a natural absorption as opposed to a conscious acquisition. We break for lunch and head around the corner to an Italian restaurant where we talk about everything under the sun…back to work.

Liam also was exposed to this music by both his parents and attended an all Irish speaking school where the students had the opportunity to play a number of different instruments.

Liam told me he did and not only that but he had recorded a version of it and sang it, Cassandra now entered the mix with a Yoruba Prayer that I think translated to Dear Mother after I had suggested maybe doing a Spiritual.

Fro this moment I now felt I had stepped on a magical train of creativity that would not end until we ended it 6 days later! I was still concerned that Cassandra might want to do some repertoire from her earlier recordings and finally expressed this.

Inwardly I breathe a huge sigh of relief asBrandon is on a lot of these recordings. I asked Cassandra was he ok with me being there and she said emphatically, Yes.

It is, and Justin and I have been trying to get together on some projects for a few years now and lo and behold, here we are! After hitting crazy traffic on the NJ Turnpike I make it just a few minutes late.

As I walk into the theater the first face I see is, in fact Brandon and we introduce ourselves and all I can say is, that when he greeted me with his warm smile I knew there and then, that we were going to working as seamlessly as we ended up doing.

I had heard Curtis years ago with the Jazz Passengers and then discover that he is very close friends with so many Irish musicians I know.

It turns out Curtis has been playing with Glen Hansard for a number of years. Curtis is from Virginia too. During rehearsal and tech. I am struck several times during this project at how we are all working together so well and everyone seems to know when to move or hang back.

By now I am playing either the Veillette High Tuned 12 string guitar or an acoustic 6 string while Brandon is playing either electric or nylon string.

He also has a 6 string banjo that is designed for guitar players but Brandon has tuned it differently, he and Cassandra have been using different tunings for years now, and they help give a unique timbre that we hear on their recordings.

We finish around 5 and go for something to eat. I wish I could be present for the talk as I always enjoy that setting but I also feel I should leave them to it.

Christine Tobin was in attendance and told me the next day how much she had enjoyed it and she would later hang out with them.

Thurs Nov 10th — Sunday 13th. Liam and Cassandra decide to be onstage when the people are let in to the theater, already playing, as if in their living rooms.

We will then join in one by one, in no particular order. And so it was for the next few nights. I believe the combination of many of my musical loves is what made this a unique experience.

I want to express my personal thanks to Cassandra and Liam for the wonderful musical journey they took me on, to ALL at theIrish Arts Center for creating a vibe where this type of creativity can flourish, unimpeded.

To the Consul General and Mick Moloney for their kind words on the last night. I hope the above gives you some of the enjoyment we experienced making this music over the past few nights and in my case weeks.

This story begins with a near 3 hour delay on the runway at Newark Airport where the blow had been softened by a pint and a snack in the terminal with fellow guitarist and good friend Phil Robson, who was also on the same flight.

I had not yet met John Daly who organizes the Limerick Jazz Fest along with a committee of devoted jazz lovers and indeed musicians.

John and I were due to perform together and I had enjoyed a few phone conversations leading up to this but oddly enough, we had never met.

Many of my friends stateside know John and raved about the hospitality they received and even with that …even I was blown away.

I arrived in with a gig as Artist In Residence and left having gained a friendship — more on that later. BTW Claire Daly was on her first Irish visit and lapping it up — she has been posting some amazing photos.

Nest day, the full Irish Breakfast sets me up for 1, a live radio interview featuring John and myself. There are some future players there!

Launch gig where I am not feeling great until I drink about three bottles of water! Was I that dehydrated.

Find out for The first time that tonight is the only night Cormac will be performing with us. Everything seems to have shut down at I had to let these beautiful people know that this was not of their making — they are now right up there in my list of most hospitable venue owners.

I go by the vibe and feeling I get from a place and I must say, I loved it from the start and in a strange way it reminded me of Red Hook in Brooklyn from when I lived there.

I would love a riverside property in Limerick, with those amazing vistas. Deirbhile very kindly offered to meet me at the bus terminus in Galway where we then had lunch followed by a trip to ClareGalway where I was met by Kevin Ward, one of my longest standing friends.

Kevin, Niamh and Joey are living the dream in my books. We were so far away from any public road that the silence was deafening, as was once said to describe the silence after an equalizing goal was scored in a famous Ireland and England soccer game.

Dave Redmond shines in the way he holds it all down on bass — rock solid. Kevin and Niamh came to the gig and finally, for the first time join a few years I meet Jim Meehan in the flesh.

Brendan Doyle also came to the show as he was working nearby for a few days. Paul has to get back to Cork that night and John Daly agrees to come get me near Limerick so I can stay wth him prior to the Belfast leg of the trip.

I smile as I realize how reluctant so many are in his own country to give him any credit and hear he has huge gas station and rest center named for him.

Restaurant closes at 9, we finish at so I already know food will be a problem. We have yet again another change of sound as the piano is gone and now we have Linley Hamilton playing trumpet.

His very soulful style along with his versatility gives a very fresh perspective to the materiel and makes me wonder how different the album might have been had Jeremy Pelt been available when we were recording he was out on tour at the time.

I managed to find a dodgy kebab after the gig ate enough to take with my HBP meds — later a very kind drummer from Belfast Conor McCauley took us to a late night Chinese joint for take out.

Back to the guest house where I passed out. I have so many memories of Tony as a young boy, and like his two sisters were the cutest kids I knew I know, I sound so American there and here before me is this young man and I see for myself, why his parents were so proud of him.

I catch up on emails and scheduling for the youth orchestra auditions asI take advantage of the wifi before heading out to walk around a bit.

I think about whether I leave her alone or say something. I meet Ronan Guilfoyle for a bite before the soundcheck at JJs.

I first met Ronan on the queue for the Louis gigs at the Baggot Inn, where he and I would get there early to make sure we got a seat right up front.

We play catch up before I head to JJs. I was delighted to catch up with so many people at this gig — school friends, childhood friends, more recent friends.

At one point I looked up and see Deirdre Brady, one of the best flute players Ireland has ever produced and then realize Olga Barry, another friend who talked me through many a bout of homesickness over the years.

Mark my words, a day will come where we will all be on the same gig together Cassandra, Deirdre and yours truly. I was having a blast just going from place to place in the car with him.

Moving in to the 90s and my early years in New York. A mutual friend of Louis and mine, Bernard Brady came regularly to visit New York still does and I would keep up with some the news through him and others.

Without going too deep into my personal past I had pretty much fallen in to almost the first pair of open arms I met and was soon engaged to be married.

I always appreciated that and indeed often thought about it. It was easier for me to move here USA than it was for someone to uproot his whole family as he would have had to do and I know, now that I have kids of my own the feeling of responsibility to provide for them shapes many decisions I make.

For years the only time I would see him was in Cork and if I stayed on in Dublin for a few days. During one of those visits he played me an album he had recorded with the great Robert Farnon.

I remember thinking there was nothing happening in the first track with Farnon having written string pads and just as I was about to say something stupid — this beautiful flow of counter melody, written as only Farnon could, emerged from the orchestra.

That exposure to Farnon would change my life, again! Louis stayed with me in the mid 90s when he was over recording an album with George Shearing and a new version of his famous quintet.

This time the band included Dennis Mackrell and Steve Nelson — some of the best in the business and I must admit, I love that recording.

Great tunes and great playing. I was in my first apartment in Manhattan and I think Louis was taken aback by the darkness one relatively ineffective window and also, probably my lack of domesticity!

He confided in me that he could shut out any problems and play with an imaginary rhythm section which I thought was great but Louis again confided that he was worried that he might have desensitized himself for those situations when he got to play with a great rhythm section.

Steve Nelson also talked about it. Louis told me how amazing it felt to be collectively so far behind the beat on some of the tunes and how scary it could be…listen to the recording, they phrase so beautifully!

It may well have been at that engagement that Louis became friends with Lewis Nash and Peter Washington. I told Louis that I had Lewis and Peter playing with me and with some careful scheduling it could work.

When Cork got in touch with the lads before I had a chance to, they showed me the courtesy of seeing was I ok with it and I said to Lewis that I absolutely was while Peter I decided to have some fun with.

Finally, I had to buy a NEW ticket and the same Aer Lingus staffer who was not budging asked Peter, can you give a contact person in the event of an emergency?

Louis played the Vanguard with both Peter and Kenny Washington and Richard Wyands on piano and had many musicians showing out to see him. He was to come back to New York and play the Jazz Standard but the untimely loss of his daughter Catherine had taken the kind of toll on the family that we can only imagine and hope that those close to us never experience.

I am completely out of sequence with this one but I was brought to Wrexham, Wales to teach on a jazz camp and for some performances.

That night stands out to me for the feeling i had and ye, someone like me who tends to remember things in detail when I do remember something have very little memory of what we talked about — I just remembered the feeling of a reunion.

The final memory in this offering comes from my conversation with Louis when he was in hospital. I am forever grateful to Jim Meehan for getting hold of me to let me know, and I knew it was being kept quiet then.

Much of what we spoke about was private between both of us, but I will say this. For two Irish men, we shared our feelings for one another in a way that I will cherish forever!

While talking to Louis, and I had been on for quite a while, the staff came in to either give an injection or IV and he told me that was happening.

Louis came back on the phone and started continue where we left it and I started to joke with him, really so I could shake off my momentary emotional lapse.

I told Louis that while I always have love and respect for the legends of jazz guitar that came before us me and him , that in my own simplistic way I viewed him Louis , George Benson and Pat Martino as being like the three wise men, three brothers… however you want to look at it and that I felt especially privileged to call all three of them my friends.

Our collective grief as Irish Jazz musicians, fans and friends and indeed beyond are deeply moved that out hero, friend, mentor had the President of Ireland at his funeral.

I am forever grateful that gesture. He would subsequently ask Bernard how we were all getting along on regular occasions, always making sure to know I was ok.

I told him that day I would never again visit home without trying to see him or at the very least call him and…sadly, I never made it back to Ireland after that call.

That album to this day has an atmosphere and Louis told me that many people would say that very thing to him throughout the years.

I went up and spoke to Louis that day. This was a big deal! He told me that yes, on his upcoming album Milesian Source there was one track on acoustic guitar.

It is on the queue that I first met Ronan Guilfoyle and we asked one another what instrument we each played. Some of the older audience members anyone over 5 years or more older than me seemed old then would remark how the front row was either guitar players staring transfixed at Louis or drummers doing the same thing with John Wadham!

They were like super stars arriving. I was in a new world of discovery now. I had also formed a band by now with Lindsey Horner bass , Frank Walshe tenor , Bernard Reilly vibes and Conor Guilfoyle drums that we named after a tune that none of us could play — Giant Steps.

I was now showing up both unannounced and uninvited and, I was made most welcome. I sat twiddling my thumbs watching the saturday match, Saint and Greavsie and then the phone rang.

It was Betty calling to tell me the kids were wondering where I was. I would spend as much time as I could with them, hoping that, as I mentioned elsewhere on a Facebook post that whatever he had, was contagious.

Louis would play recordings for me of all the masters and real me what he loved about them, about their styles. Louis had done some teaching in Capel Street and had stopped by the time I came along but I did take some lessons with Alan Grundy, who had studied with Louis before embarking on his path as a classical guitarist and he shared the notes Louis had given him along with all he could remember.

These notes shared by Alan a friend of the late Barry Lawlor where invaluable to me at the time as they helped to get me started.

We found ourselves on a gig with him when we were nothing close to ready. How were we going to learn?

First tune, Have you Met Miss Jones? I was two nervous to have enjoyed most of those nights but it was a step in the process. Next up for me was my first trip to the US — New York in particular.

He gave me a few names and numbers and for the purpose of highlighting their effect on me I will equate their name to the effect they had:.

Months later Bucky tried to get me a 6 night a week gig in another room in the Pierre, not realizing I needed work papers. Wayne Wright — a left handed rhythm guitar who was a good friend of Louis.

Les was reclusive at the time so this was a big deal. Also in the car,a legendary beatnik era DJ called Jazzbow Collins.

Dan Axelrod — I never connected with Dan. Louis had met him and liked him in a music store on 48th street and he told Louis he had studied or was studying with Tal Farlow.

As you can see — these contacts above all led somewhere. I had a concert organized to help me go back to the US to try and study with Barry Galbraith a Bucky connection too and I have many memories of this.

I wrote to Louis after I met Pat Martino — there was huge mystique around Pat in those days and we were all anxious to hear anything about him.

Louis wrote me a warm letter back. It was a call from Louis to put together a band of 5 guitars that turned that around.

The above takes me up to when I left for the US — more thoughts will follow. The arrangements are by yours truly and at time of writing 6 out of my 7 are completed while I am working through the 7th Smooth As The Wind.

There will be one trio recording which I am not arranging. That door goes unanswered, tap the windows, try another door and then BOOM!

The door flies open and I enter to open armed greeting or so it feels, at best. Now the exciting part begins as I find myself writing whenever I can, often in bursts.

The bets that you place on the numbers themselves are called inside bets , whereas the bets that you place on the other sectors are called outside bets.

There are seven types of inside roulette bets, as described and illustrated below:. As you can see, the inside betting combinations are quite logical and easy to remember just like most rules of roulette.

If you, on the other hand, decide to play at a land-based casino or at an online live dealer table, then I would suggest you read up on the subject, as the dealers are humans and as such might make a mistake.

For such cases, I advise you to also check out our article on the odds and probabilities that the different roulette bets bring you. As we already mentioned, the outside bets in roulette are those bets that are placed outside the number field, on the sectors that cover the bigger groups of numbers.

There are five common types outside bets:. In this bet, all the numbers are covered by one chip. Some games also feature a black snake bet which again resembles a snake but consists only of black numbers: 2, 6, 8, 10, 13, 17, 20, 24, 26, 29, 28, 31 and The announced roulette bets are special betting combinations most commonly featured in French Roulette though also often present in online European Roulette variants and they are actually part of the rules of roulette which you must know.

And since they are most commonly featured on French Roulette, they all have their individual French names.

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This makes for a number bet which is made of 9 chips:. We know that all these roulette rules, together with foreign names can be confusing but they are indeed needed.

All the numbers covered by this bet are: 27, 13, 36, 11, 30, 8, 23,10, 5, 24, 16 and This is a 6-piece bet. Another popular announced bet is called Orphelins.

This bet covers 8 numbers: 1, 6, 9, 14, 17, 20, 31 and This bet covers 3 neighbours of the zero slot on each side of the wheel.

A very common announced bet that you can place on roulette is the neighbours. This is a 5-number bet that covers a certain number and 2 neighbouring numbers on each side.

To know these things, together with the roulette rules is vital if you want to actually enjoy the game in full and, of course, to win money.

The Finals let you bet on what will be the last digit of the winning number. For example, if you bet on Finale 4, then you will place a 4-number bet on 4, 14, 24 and This bet is also called Finale Plein so that it differs from the Finale a Cheval which lets you bet on two potential final digits of the winning number.

As in online gambling sites there are no boundaries, there are many interesting and innovative roulette variations that feature even more types of bets.

Furthermore, most virtual roulette games allow you to create your own betting patterns and save them in a special tab of the layout for easier access when you later want to repeat them.

But how to play roulette… how do you choose which bet to make? Well, it all depends on the roulette strategy that you want to adopt. The strategy you choose will also help you in picking the amount you want to bet.

In the same example, you should start from a very low bet so that you have the room to increase the stake after each loss.

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Did we help you in understanding how does roulette works? We answered the most frequently asked questions as quick as possible, so they can nicely complement this review of the online roulette rules.

Make sure to read them before playing at your favourite table! Basically, the online roulette rules in UK include six main steps.

Initially, you place your bet chips in a specific way on the table and for a specific period of time. Then, the dealer closes the 'betting window' and spins the ball around the wheel , and lastly, the dealer announces and spreads out the chips depending on the winning bets.

Yes, but that's because some RNG and live roulette games are specially optimised for UK mobile casino apps. Examples include larger buttons in the main menu, easily accessible settings, 3D visualisations and effects, and a possibility to play with a special mobile casino bonus for table games.

Otherwise, the online roulette betting rules are the same for the desktop and mobile version of a UK online casino. The rules for the European and American versions are basically the same, except for some characteristics of the game.

More specifically, the layout of the tables are different and the American version features a double-zero slot. Thus, the total amount of the slots on the American wheel become 38, which causes a slight change in the odds and payouts , and in the overall rules of roulette.

First, the online roulette rules for the French version of the game include a visually different table layout mostly the outside betting field with the lowest house edge advantage among all other versions 1.

A correctly used strategy can certainly affect your game but shortly put: no, it cannot change the online roulette rules.

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